Get Involved, Reflection, Upcoming Performance

It’s a Labor of Love

I’m here mainly as an observer. Watching this series of ten-minute plays come together is intriguing. Even as the plays are coming into clarity, Taylor and Tony are spitballing additional creative ideas in the booth. I listen in on what the directors have to say about their interpretations of their chosen scripts. The lighting cues fly over my head, but some of the sound cues have me grinning from ear to ear.

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Taylor tells me that twenty-four hour theatre has a tendency to breed unusual things. She lets me read the scripts and I’m reminded of late nights during college. We’d stay up all night, spitting out lines of poetry and agonizing over whether or not the words we were laboriously cranking out on a friend’s typewriter adequately described our torment, our elation, our early-twenty-something-ness. We’d pull our favorite albums from the same friend’s vinyl collection and dance and laugh and commiserate until, sometime after the witching hour, all inhibition finally left our writing.

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After it all, there we’d be, a huddle of creatives lauding each other’s guts and quoting each other’s perfectly imperfect words. It was, much like Laughing Pig’s twenty-four hour theatre project, a labor of love.

Step behind the scenes at Laughing Pig Theatre and try not to admire everyone involved just a little bit.

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The writers who cranked out tonight’s ten-minute plays in a span of ten short hours left bits of themselves hidden in the scripts. In between the lines, you can see who they are when they have the courage to let go of their inhibitions and roll with the unusual.

The directors have such clear visions for their plays. I’m in awe of the amount of creativity and brain power it takes to look at these scripts in the ways they have. You can see how much they care about this project as they posit scenarios to their performers and give guidance around lines and movements. These are out-of-the box thinkers working under a time crunch and it seems to have only served them well.

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Tonight’s performers are doing an incredible job of bringing the writers’ scripts to life. From the realistic to the absurd, they’re bringing worlds to life right before our eyes. They’re rounding out their characters from top to toe and making every moment believable.

What seemed daunting before has quickly turned into something that seems entirely possible.
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So if you’re in the mood to laugh, to get drawn into story lines generated in the dead of night, and to spend an evening with a group of talented people who want to present to you the results of their labor of love, make some time to come out to the Mesa Arts Center tonight at either 7:30 or 9:00. The product of their hard work will not fail to make your night.

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Alaina Bair wrote this article.

Alaina is a writer who lives in Phoenix. She is a proud feminist and likes to spend her spare time volunteering with women’s rights organizations, reading voraciously, and spending time with her loved ones.

 

Reflection, Upcoming Performance

East Valley Overnight Theatre, time is ticking!

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The fluorescent yellow light of the acting studio at the Mesa Arts Center lights up the landing at the top of the stairs. Through the windows, you can see rows of people chatting and waiting for the meeting to begin. There is a flurry of activity near the door as performers, directors, and writers all check in. On the board, there is a schedule for the next twenty-four hours. It looks daunting. Outside of a brief flirtation with the idea of submitting a play to my university’s twenty-four hour theatre project, I’ve never been involved with an experience like this. I’m in awe of the fact that this is even possible.
Taylor and Tony have a way of putting people at ease. Their enthusiasm and wit bring levity to the meeting. This is the first time that everyone involved with the East Valley Overnight Theatre is in the same room. Some people are Laughing Pig veterans. For some, twenty-four hour theatre is old hat. There are a couple of us who are brand new to the experience. Something that I admire most about Taylor and Tony is the way they are able to build a supportive, caring community out of a room of people who have one overarching thing in common: a love of theatre. Their enthusiasm is contagious. Their deep, abiding love for theatre is palpable.
They make an intimidating schedule sound like a fun, easy walk in the park.
After a discussion surrounding the schedule and expectations, everyone participates in the performer raffle. It’s interesting to see the writers and performers come together. In order to ignite the creative process, the performers have brought in either costumes or props to (hopefully) inspire their writers. Each group immediately has a different atmosphere. Some debate the merits of certain items. Others are huddled around tables and locked into deep discussions of what they envision for their play.
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Smiles and laughter permeate the acting studio. Everyone in this room is here because they love the work they’re about to do. The camaraderie that comes with knowing you’re surrounded by people of a like mind has already begun to bond everyone together. Everyone, performers, writers, and directors alike, is in this room tonight because they love giving their all to the theatre.
The writers leave fairly quickly. They each have about ten hours to produce a play and time is flitting away. Taylor reminds them of the second wind party at Denny’s should they need it. The big grin on her face belies her excitement at the possibility of this party. She’s anticipating the thrill she finds in being a sounding board for writers. It’s up to the writers, though, if they feel a need for her skills. Time will tell.
And time is ticking.
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Alaina Bair wrote this article

Alaina is a writer who lives in Phoenix. She is a proud feminist and likes to spend her spare time volunteering with women’s rights organizations, reading voraciously, and spending time with her loved ones.