Get Involved, Writing Opportunities

WRITE for Shake-Smash 2018

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We want to take down Shakespeare!

Laughing Pig Theatre is now accepting submissions for their first ever Shake-Smash New Play Festival. Shake-smash is a festival that both celebrates and challenges Shakespeare’s stubbornly immortal work.

We are looking for creators to submit new ten-minute and one-act shows inspired in some way by Shakespeare. It can be a retelling of a story in a new setting, a deconstruction of a theme, a Tom Stoppard-esque between the scenes companion piece, a farcical parody, a sequel, a prequel, a soliloquy, a musical, a dance, a poem, a saucy puppet show, or whatever else you want it to be! As long as it is demonstrably inspired by Shakespeare, we honestly don’t really care.

Submissions are $5 for a ten-minute and $10 for a one-act. They will be accepted until 11:59pm on September 30, 2018, after which Laughing Pig will select a number of shows to be performed for the festival in December. Shows performed at the festival will be judged by a panel of Shakespeare fanatics, with the opportunity to win awards and cash prizes!

To enter, fill our form here.
Contact laughing.pig.theatre@gmail.com for more details or questions!

 

ShakesmashPRIZES

We cannot wait to read your submissions!

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Pigpen Profile

Pigpen Profiles: Ilana Lydia

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Ok, look, I’m not sold on the name either everybody. Maybe I’m forcing the porcine theme too much, I don’t know, we can revisit it later.

For now, we wanted to give you chance to learn a little more about Ilana Lydia, Artistic Director of B3 Productions and playwright of our upcoming staged reading A Sense of Wonder.

I asked Ilana a few questions about her views on theatre, and you can ask her some yourself next Friday, August 10 at 7:30 in the Mesa Arts Center Acting Studio. Tickets are $5 or pay-what-you-can. There will be a facilitated feedback session afterwards, so be ready to share your thoughts and help the creative process thrive!

•What is your theatrical background?

Ilana: I started as a director, being left alone with actors and my first notepad at the tender age of 11.  Luckily, I’ve been able to grow beyond almost all of my first experiences.  I’ve always valued people, relationships, and process over the end product, and so as a playwright, it’s experiences like this that keep me writing.

•What inspired you to write A Sense of Wonder?

Ilana: I had the image of a woman escaping from universe to universe in my mind, then I found her friend, and the rest pretty much wrote itself.  I enjoy science fiction, feminism, and comedy–this script seemed to fall together right across these lines for me.

•What appeals to you about using science fiction elements on stage?
Ilana: It’s not done as often as I think it should be.  Science fiction/fantasy is such a rich field, but many producing agents shy away from it.  I like to watch new ideas, and different worlds or universes are the perfect place to explore these.

 

•What are some themes you find yourself focusing on in your work?
Ilana: Metatheater is my big one–the play becoming aware of itself as a play, the characters understanding they are characters, or the audience suddenly seeing itself as an audience.  I think it’s safe to say that I explore feminist topics, as well.

 

•What do you think is unique about theatre in the Valley?
Ilana: What a vibrant community we have!  There’s so much going on every weekend all across the Valley–you could never spend an evening home, if you wanted.  We’re so lucky to have virtually every type of taste represented in our theaters, from Disney musicals to existential reflections on life.  There are so many opportunities here.  We just need to be sure to help each other along the way.

 

•What advice would you give someone interested in playwriting?

Ilana: Find a writer’s group.  Having to check in with new writing every so often will keep you producing.  Exchange with friends.  Exchange with acquaintances.  Keep going.  And above all, be grateful for whatever practice you have.  It’s an honor to be able to put down your words and come out with a script.

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Huge thanks to Ilana for submitting her work to be read. If you’d like us to consider your work for a future reading, you can share it through the New Work Submissions link. See you at the reading, and until then, keep creating!
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Auditions, Get Involved

Auditions on July 2nd

Laughing Pig Theatre will be hosting auditions on July 2 starting at 7:30pm at the Mesa Arts Center’s Drama Studio for their next three events.

Please prepare a memorized one-minute monologue. You may also be asked to do some cold reading.

To reserve an audition slot please email laughing.pig.theatre@gmail.com with your headshot and resume.

We are also ALWAYS looking to cast diverse performers!!! Since this is a call for multiple performances, you can choose to only audition for one or more of the events below just let us know.


Monologue Café: Walls
About: Series of true stories from the community inspired by the theme “Walls.”

If cast, you must be available and memorized (with the monologue that we provide you) on July 24th and 26th 7:30pm-10pm for dress rehearsals and both performances July 27th & 28th 6:30pm-10pm.

Reasons to be Pretty

About: In Reasons to Be Pretty, Greg’s tight-knit social circle is thrown into turmoil when his offhand remarks about a female coworker’s pretty face and his own girlfriend Steph’s lack thereof get back to Steph. But that’s just the beginning. Greg’s best buddy, Kent, and Kent’s wife, Carly, also enter into the picture, and the emotional equation becomes exponentially more complicated. As their relationships crumble, the four friends are forced to confront a sea of deceit, infidelity, and betrayed trust in their journey to answer that oh-so-American question: How much is pretty worth?

You must be available for the rehearsal process Monday- Wednesday from 7:30pm-10:00pm starting July 30th and performance dates Sept. 28, 29, Oct. 6 at 6:30pm-10:00pm and Sept. 30 1:00pm-5:00pm

New Work Staged Reading

Looking for performers to take part in a staged reading of a new work with facilitated feedback (memorization not necessary).

Staged Reading Opportunity on August 10 at 7:30pm. If cast must be available August 9 7:30pm-10pm for a rehearsal from and performance August 10 6:30pm-10:00pm.

 

Break a leg! We look forward to seeing you there!